|
Commercial
Backbores
|
| #1 |
A tight backbore that provides a brilliant
sound |
| #2 |
A backbore that provides resistance yet provides a lively
sound. |
| #3 |
Can be used for different situations. Very even from top
to bottom. |
| #4 |
Open enough to give a full, broad sound. |
| #5 |
Has power with less resistance to provide a bright tone. |
| #6 |
A medium sized, full sounding backbore. Excellent for a variety
of styles |
|
Classical
Backbores
|
| #7 |
Provides full, warm sound for all around work. |
| #8 |
A smaller, yet dark, symphonic sound. "Schmidt" style. |
| #9 |
A medium sized symphonic backbore that is centered and dark. |
| #10 |
A bigger, darker symphonic sound. Excellent for orchestral
work. |
| #11 |
Big and free blowing to help in the upper register. Designed
for piccolo use. |
| #12 |
Very open and free blowing. Sounds extremely dark. |
|
Piccolo Trumpet
Backbores
|
| 117-T |
This shank will fit piccolos designed for a trumpet shank.
ie Blackburn |
| 117-C |
This shank will fit those piccolos designed to have a cornet
sized shank. ie Schilke |
| Please note that the two backbores above are
designed to have the mouthpiece at the length of a cornet mouthpiece. |
